Movement/Rehearsal Director

Photographer – Tony Bartholomew

‘In particular, Rebecca Randall’s movement direction is so key to the drama, using The Round to its maximum.’
5 stars, Charles Hutch Press on The Ballad of Maria Marten 2020

‘Exuberant movement by Rebecca Randall’
Gillie Tunley, whitleypump.net on Hansel and Gretel 2019

‘Where there is dread, grief and violence there is also joy, laughter and dance’
4 stars, The Guardian on The Ballad of Maria Marten 2020

Manifesting ideas into movement

The variety of Rebecca’s training and performance career has resulted in her having an open mind and a broad range of experiences to draw on when collaborating in the studio. This results in an ability to understand another artist’s vision, and work towards manifesting those ideas in movement.

Rebecca works with a positive approach to facilitate dancers and actors alike to feel comfortable in the physical aspects of their performance. She works with sensitivity and awareness to use movement as a tool for storytelling.

As a Movement Director, Rebecca has worked on a number of shows with Director Hal Chambers including Electra (2017), Polstead (2018), A Christmas Carol (2019) Hansel and Gretel (2019) and The Ballad of Maria Marten (2020).

Rebecca has also supported Lisa Simpson as Translator on her project Branching Out with Rosie Kay Dance Company.

Electra

Trailer

Rebecca has worked as a Rehearsal Director for Ludus Dance (2008 – 2010) Altered Skin (2012), Autin Dance Theatre (2014 – 2018), and Anjali Dance Company (2019 – present) assisting in bringing together works by Dylan Quinn, Shane Shambhu, Johnny Autin, Lea Anderson and Gary Clarke.